Select Publications
Peer-reviewed Journal Articles
“Clenched and Empty Fists: Trauma and Resistance Ethics in Han Kang’s Fiction.” Trauma, Ethics, & Illness in Contemporary Literature & Culture, special issue of Humanities, edited by Aimee Pozorski, Amar Singh, and Shipra Tholia, vol. 11, no. 6, 2022,
https://doi.org/10.3390/h11060149
“‘Come Tomorrow, May I Be Bolder Than Today?’: PinUps, Striptease, and Social Performance.” Miranda, no. 17, 2018, https://doi.org/10.4000/miranda.12497
“Bodies at Liberty in Kathy Acker’s Don Quixote.” Angelaki, vol. 22, no. 4, 2017, pp. 81-97.
“Really Melanctha: Nesting Subjects in Gertrude Stein’s Intertexts.” a/b: Auto/biography Studies, vol. 31, no. 2, 2016, pp. 285-307.
“‘Most lives make no sense:’ Interro(r)gating the Postmodern Subject in 9/11 Fiction.” LIT: Literature Interpretation Theory, vol. 26, no.1, 2015, pp. 22-41.
Book Chapters
“Yayoi Kusama’s Immaterial Drive.” Avant-Gardes in Crisis: Art and Politics in the Long 1970s, edited by Jean-Thomas Tremblay and Andrew Strombeck, SUNY P, 2021, pp. 177-196.
“Exhausting the Present: Twitter, Trump, and Engagement Fatigue in Olivia Laing’s Crudo.” Trump Fiction: Essays on Donald Trump in Literature, Film, and Television, edited by Stephen Hock, Lexington, 2019, pp. 225-238.
“Alimentary Assurances: Possessive Attachment and Edible Aspirations in The Alice B. Toklas Cook Book.” Modernism and Food Studies, edited by Jessica Martell, Adam Fajardo, and Keel Geheber, UP of Florida, 2019, pp. 200-234.
“Man [Seeking] Astroman?: Nouveau-surf Rock and the Futuristic Past Nostalgic.” Geek Rock: An Exploration of Music and Subculture, edited by Alex DiBlasi and Victoria Willis, Lanham: Rowman & Littlefield, 2014, pp. 119-133.
Reviews
Rev. of Reading Experimental Writing by Georgina Colby. American Literary History, 12 March 2022.
https://academic.oup.com/alh/advance-article-abstract/doi/10.1093/alh/ajac043/6547822
“‘we will never meet again/ nor part ways’: Dematerializing Yayoi Kusama.” ASAP/J, 9 May 2019.
Rev. of American Autobiography After 9/11 by Megan Brown. a/b: Auto/biography Studies, vol. 34, no. 1, 2019, pp.149-53.
“Critical Impressionism: Max Saunders’s Self Impression and the Portraiture of Life Writing.” Journal of Modern Literature, vol. 36, no. 4, 2013, pp. 183-86.
Rev. of Dis/Figuring Sam Shepard by Johan Callens. New Theatre Quarterly, vol. 26, no. 2, 2010, pp. 199-200.
Poetry
“Take It Home.” SWWIM, November 22, 2022, https://www.swwim.org/swwimeveryday/2022/11/22/take-it-home
“Americana,” “Invasive Species,” and “Appulse.” Elsewhere, July 2022. https://www.elsewhere-journal.com/blog/2022/7/25/americana-a-trilogy-by-shannon-finck
“Origin Story” and “With the Sandhill Cranes.” Willawaw, no. 9, 2020. https://willawawjournal.com/shannon-finck/
"My friend who is grieving cups her palms around a hummingbird." Lammergeier, no. 2, 2019. https://www.lammergeier.org/post/my-friend-who-is-grieving-cups-her-palms-around-a-hummingbird-shannon-finck
“Cortex and Stars.” The Florida Review, vol. 33, no.1, 2008, p. 63.
“Je t’aime—moi non plus.” FUGUE, no. 33, 2007, p. 36.